Auditions for First Presbyterian Theater’s 2019–2020 season

No auditions are currently scheduled

Stay tuned for audition information for the upcoming 2019-2020 season.

PERFORMS: September 5**, 6, 7, 13, 14, 15*, 20, 21, 2019
AUDITION DATE: Sunday, June 16 at 6pm
PREPARE TO: read from script - email Thom for script
NEEDED: 1 man 50-65 years old (white), 1 man 25-35 years old (white), 1 man 25-45 years old (black); the role of Ben Butler is cast. Email for more info


The Importance of Being Earnest by Oscar Wilde

directed by John Tolley
PERFORMS: September 5**, 6, 7, 13, 14, 15*, 20, 21, 2019
NEEDED: 9 people to play ages 18-70 (5M/4W) who can handle farce
AUDITION DATE: Sunday, June 16 at 6pm
AUDITION: read from the script

A brilliantly clever comedy has two wealthy London bachelors each pretending to be “Earnest” to win the love of two
young ladies who have an avowed preference for that name. And all must navigate around the intimidatingly proper
Lady Bracknell. Wilde’s trivial comedy for serious people is one of the greatest plays ever written.

Questions, or conflict with the audition time?
Call or text Thom 260-416-4461 or email Thom at or email John Tolley at

Christmas Songs and Stories

compiled/directed by Thom Hofrichter
PERFORMS: November 30, December 1*, 7, 8, 14, 15, 2019
AUDITION DATE: casting by invitation only

The best loved songs and stories of the Christmas season. Act One has reindeer and Santa, and is secular. Act Two is
a stirring reminder of the real meaning of the season, celebrating Christ’s birth through song and scripture. A perfect
way to prepare your heart for the Christmas season.

Beyond Glory

a play by Stephen Lang, from the book by Larry Smith
directed by Thom Hofrichter
PERFORMS: January 2**, 3, 4, 10, 11, 12*, 17, 18, 2020
AUDITION DATE: Sunday, August 4 at 6pm in the theater

Eight veterans from World War II, Korea, and Vietnam tell firsthand accounts of their actions which resulted in them
receiving the Medal of Honor. Beyond Glory gathers these men who look back on the defining moments of their
lives, and they teach us the meaning of courage, duty, and ultimately, humility.

Cat on a Hot Tin Roof by Tennessee Williams

directed by Brian Ernsberger
PERFORMS: February 20**, 21, 22, 28, 29, March 1*, 6, 7, 2020
AUDITION DATE: Sunday, November 24 at 6pm

Tennessee Williams’ Pulitzer Prize winner gathers a family on a steamy Mississippi night to celebrate Big Daddy’s
birthday. The tone is gay, but the mood is somber for old evils poison the gaiety—sins of the past, greedy hopes for
the future, an eagerness to believe the lies that surround them. An American classic—superb theater.

The Winter’s Tale by William Shakespeare

directed by Thom Hofrichter
PERFORMS: April 16**, 17, 18, 24, 25, 26*, May 1, 2, 2020
AUDITION DATE: Sunday, November 10 at 6pm

In Shakespeare’s tale of mystery and magic a jealous king accuses his wife of infidelity, setting off a calamitous series
of events. But what begins as tragedy evolves into a fantastical journey—from wrath to redemption to reconciliation.
Shakespeare’s fable of hard-won joy and the promise of renewal shows a genius at the height of his powers.

*Sunday Matinee curtain at 2 pm
**Thursday preview
All other shows are at 7:30 pm


For plays we do readings from the script at auditions. So to prepare, read the script at least once before the audition date. If you need a copy of the script, call Thom at 426-7421 x103. For musicals and Shakespeare we handle the audition a bit differently; call Thom for more information.


Email Thom Hofrichter ( and request one.  If you don’t have email, (why not?) you can call Thom at the Theater (426-7421 x103), and he will mail you one. These schedules are tentative, we schedule every possible date knowing that we will lose some to conflicts.


For plays we read from the script at auditions.  So to prepare, read the script at least once before the audition date.  Unless the script is widely available at the library or used book stores scripts can be borrowed from the theater.


Actors can be their own worst enemies by not showing up to an audition because they’ve decided they are “not right” for a role.  Let the director be the judge.  Many times someone has told me they didn’t show up because they knew they weren’t right, and had they shown up I would have cast them.